Fresh from a sell-out run with Birds of Paradise and National Theatre of Scotland’s “My Left Right Foot’, Richard Conlon joins me backstage at the Lyceum to chat about his work and process. How does he approach Shakespeare? Why does he relish the time between jobs just as much as the jobs themselves? And just how well-known around in Edinburgh is Fergus? All this and more on today’s episode! Thanks for listening!
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Brought up in Kuwait, Colette found creativity to be the key to understanding the world, so when drama appeared as a school subject, she grabbed it with both hands. What a pleasure to share a stage with her in Twelfth Night, where she gives a powerful and magnetic performance, and to share an hour with her on the show. Thanks for listening.
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The first female artistic director of Dundee Rep, not to mention director of Oliver Emanuel and Gareth Williams’ “306: Dawn”, Jemima Levick chatted with me for an hour about all things directing, casting and even the joy of the model box. Come and have a wee listen in, why don’t you? Thanks for listening!
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He’s spent many years on our screens in shows such as Taggart, Coronation Street and most recently, Holby City, and now John Michie comes along to PITPOD for a chat! John takes us through his unorthodox childhood to his time as a stage manager who couldn’t work a lighting desk, all the way up to the present day, telling me about his preparation for going on stage or in front of the camera. Thanks for listening!
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